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Those experts also helped to verify the quality of the new Transformer/SILK hybrid preamplifiers. I worked with the team to development the transformer emulation in the hybrid microphone preamplifier and also the improved channel strip equalizers.Īs we got closer to completing the operating system and hardware, some distinguished mixing engineers were brought in to evaluate the mixing system and offer their ideas. K’s team, working with the VCM technology that has become a vital part of the Yamaha PM10 console.* My involvement with the VCM plug-ins was mostly from a sonic quality perspective. Other partners contributing to the plug-in devices for the PM10 include TC Electronic and Eventide. The R&D team then set the stage for a strategic alliance between Yamaha and Rupert Neve Designs that would lead to some of the outstanding audio technology included in the PM10 console. We made a list of possibilities, and decided that Rupert Neve products would be the most appropriate and the most appreciated products for this Yamaha flagship console. The next step was to develop a suitable plug-in plan. When these intense discussions were done the basics of the PM10 surface and controls had been established. We decided that a comprehensive Selected Channel functionality would be essential. For example, the complete Selected Channel sections on the PM1D and PM5D were widely appreciated, although other manufacturers were moving away from that concept.

We had been working closely with console users for years and had a good understanding of their needs, so we began discussing the features that we knew Yamaha users liked and used. The process began with the R&D team getting together to decide how Yamaha’s new flagship console should look and operate.

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After 3 years of sales experience he became R&D manager for Yamaha Japan and is currently engaged in helping Yamaha build professional audio consoles. In 2003 Chris joined Yamaha first working as a District Sales Manager for Yamaha Commercial Audio Systems in the US. The extensive portfolio also features a number of audio and video recordings, including a Grammy Award winning album by Ashley Cleveland. For his contributions to these broadcast audio events Chris received an Emmy Award nomination for Outstanding Sound Mixing, and an Emmy contribution award for Outstanding Achievement in Sound Mixing. Broadcast concert shows Chris worked on were Garth Brooks Live in Central Park, Barbara Streisand HBO Special, David Foster Hit Man, and Josh Groban PBS Special. The 1995 Grammy Awards, CMT Video Awards, Dove Awards, and MTV awards are a few of these projects.

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Other achievements include mixing for TV Award Shows, as well as handling audio coordination and design.

During the next number of years Chris mixed other tours for such artist as Barbara Streisand, David Foster, Janet Jackson, Jewel, Kitaro, Lynyrd Skynyrd, and Michael Jackson. He began providing mixing and production skills to Contemporary Christian artist such as Amy Grant, Michael W. Wanting to concentrate more on the artistic side of the touring industry Chris dissolved his sound company. He provided sound equipment for a long list of Country, Contemporary Christian, and R&B tours that included Conway Twitty, Kenny Rogers, Amy Grant, and The Bar Kays. He soon landed a spot as guitar player with “Up With People,” which was the beginning of a lifetime of touring and travel.Ĭhris’s audio career began by earning an Associate Degree in Electronic Engineering and the establishment of his own sound production company. Musician, mixing engineer, and sound system designer, Chris Taylor brings a lifetime of experience to Yamaha console design and development.Ĭhris began his career as a musician, playing in local bands, churches, and recording in his hometown of Memphis, Tennessee.

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